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About

Visionary Robots Industries focuses on composing, arranging, orchestrating and producing music for images. Mixturing electronic, rock & heavy, orchestral and experimental music. Visionary Robots Industries develops its own original hardware and software devices for sound processing, sound design and synthesis sed within the composition and production work.

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Works

Profumo

War

Audiobooks

"Il Dolcetto Salvamondo"

A modern day Fairytale for kids of all ages, in CD/Audiobook format. Text by Federico Del Monaco, narrating voices by Giuseppe Ippoliti, Alessandra Stornelli, Simona Di Profio.

Una storia per piccoli adulti e grandi bambini. Una favola dove le protagoniste, Leslie e Melissa, si ritrovano a salvare la loro realtà dal Nero Tenebra, grazie al Dolcetto Salvamondo. In che modo? Con amicizia, rispetto e affetto. Le tenebre sono forti, nel primo momento le ragazze perderanno la battaglia, nel secondo momento usciranno di nuovo sconfitte ma cominceranno a fare tesoro degli errori commessi e, finalmente, nel terzo momento riusciranno a riportare la luce del sole. La dolcezza come elemento fondamentale nella vita di tutti i giorni e nelle grandi imprese, una storia che si ripete con piccole variazioni di testo e musica che permette di riassaporare momenti già vissuti con sempre maggiore presenza, fino all'ultima comprensione: certe difficoltà vanno affrontate e superate insieme.

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C'era un Tempo

Le Prove

Può finir così

Music for Plays

"La belva che parlava come un uomo"

Music composed for the drama premiered on Halloween night October, 31th 2017 at Renzo Piano Auditorium in L'Aquila

Ballo Straniante

Melodia Infantile

Brothers: Revelation

Music for Images

Krokodil
Gea
FAD
Natura di Carta
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Kontakt Libraries

AR_K Level 1 Main Page

AR_K Facility - Level 1

The "AR_K Facility" is a collection of libraries, comprised of several volumes, each of which has a single or multiple Kontakt instruments. The entire series is centered on unusual percussion sounds with a lot of editing possibilities and several onboard effects. Each Volume (called “Level n”) has a distinctive set of basic sounds that can be used for composing and producing purposes - like a drum machine - as well as for soundtrack composition and sound design in films, videogames and any other multimedia product. The first volume (called “Level 1”) is a single instrument library with several percussion sounds and a lot of sound manipulation possibilities.

  • 5 Sound Engines
  • EQ and Compressor per Engine
  • 6 Insert effects
  • 2 Send (master) effects
  • 10 custom made IRs for the Reverb
  • Light weight: 12,8 MB
  • Sample format: 44.1KHz, 24 bit, NCW, stereo
  • Requires Kontakt 5.6.5 or above (FULL VERSION)
  • Version 1.0 (August 2019)
Available at Kontakthub.com

AR_K Level 2 Main Page

AR_K Facility - Level 2

The "AR_K Facility" is a collection of libraries, comprised of several volumes, each of which has a single or multiple Kontakt instruments. The entire series is centered on unusual percussion sounds with a lot of editing possibilities and several onboard effects. Each Volume (called “Level n”) has a distinctive set of basic sounds that can be used for composing and producing purposes - like a drum machine - as well as for soundtrack composition and sound design in films, videogames and any other multimedia product. The second volume (called “Level 2”) is a collection of five different instruments with several percussion sounds and a lot of sound manipulation possibilities each. The instruments in the library are Crushing Anvil, Deep Space Craze, Devil's Forge, Iron Screeches, Robotik Breakdown.

  • 5 instruments:
    1. Crushing Anvil
    2. Deep Space Craze
    3. Devil's Forge
    4. Iron Screeches
    5. Robotik Breakdown
  • Sound set specs:
    • Crushing Anvil - 3 kit - 3 samples per Engine
    • Deep Space Craze - 4 kit - 4 samples per Engine
    • Devil's Forge - 5 kit - 5 samples per Engine
    • Iron Screeches - 2 kit - 2 samples per Engine
    • Robotik Breakdown - 2 kit - 2 samples per Engine
  • 5 Sound Engines with several kits and samples each
  • EQ and Compressor per Engine
  • 6 Insert effects
  • 2 Send (master) effects
  • 10 custom made IRs for the Reverb
  • Total Dimension: 134,6 MB
  • Sample format: 44.1KHz, 24 bit, NCW, stereo
  • Requires Kontakt 5.6.5 or above (FULL VERSION)
  • Version 1.0 (August 2019)
Available at Kontakthub.com

CEDAR Ponticello Main Page

CEDAR

A brand new sample library based on a luthier classical guitar but with a percussive nature. A collection of three instruments, each of which with a peculiar onical personality: Ponticello, Sul Tasto, Bizzarro. The names are derived from the classical guitar tradition being the entire library created with samples recorded from a handmade classical guitar. Hence the library’s name “Cedar”, which is a wood type the instrument is made of. All of the sounds in the library are ins usual and span from hits to effects since they were created with percussive techniques on the instrument. Sul Tasto and Ponticello have a separate Efx age divided in two sections: send efx and insert efx. The Reverb has a selection of custom made IR specifically crafted for the library and the effects chain can be changed to taste. The versatile nature of Cedar makes it perfect for sound design and film music composition, as well as for music production and composition in general.

  • 3 Instruments:
    • Ponticello
    • Sul Tasto
    • Bizzarro
  • 10 custom made IRs for the Reverb
  • Sample format: 44.1KHz, 24 bit, NCW, stereo
  • Requires Kontakt 5.6.5 or above (FULL VERSION)
Coming Soon...
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Crew

Maurizio Di Berardino

Composer, electronic musician. He began studying drums at age eleven. He attended various master classes with renowned inernational artists. Since 2015 he participates as composer and performer at the International Festival of Intermedia Arts "elettroAQustica". He is currently attending the Bachelor of Electronic Music Composition at Conservatorio A. Casella in L'Aquila, under the guidance af M. Maria Cristina De Amicis and M. Agostino Di Scipio. In 2017 he founded Visionary Robots Industries. He is responsible for the hardware and software devices creation, and for the most use of them.

Roberto Bisegna
Roberto Bisegna

After graduating from L'Aquila Music Conservatory in Italy under the tutelage of M. Massimo Delle Cese with the highest marks in his Bachelor and Masters (Chamber music) exams, has decided to continue the studies and is a graduate of the Hochschule für Musik Detmold's Solo Guitar Masters Program (Germany) as a Student of Dale Kavanagh. He won two chamber music competitions, and performs as solo guitarrist and as member in a variety of different ensembles through Italy, Germany, Poland and Portugal. Roberto composed the music for theater pieces as "27 Aprile" and "SinGhiaccio", for the audiobook "Status d'amore" and for the Videopoetry "Poemotus 1915", "Foglie d'autunno" and "Che poi é lo stesso". His first album "Dialoghi" has been released in 2015.

Luca Di Berardino
Luca Di Berardino

He began studying classical guitar at an early age at the Cast Lirica school of music with M. Alessandro Giancola. At the same time he started playing electric guitar and attended master classes and seminars held by international masters. At a later age got interested in early music and lute and obtained the Master in Lute at the Musikhochscule in Trossingen, under the guidance of M. Rolf Lislevand. He collaborates with various concert institutions, both in Italy and abroad. Passionate about synthesis and sound design, as well as composition for media, he has been in force at Visionary Robots Industries since its formation.

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Contacts

Privacy Policy

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INFORMATIVA SULLA PRIVACY

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